Dedicated to Frances W. Pritchett

Learn to hear the bahr

In Urdu poetry, a bahr is the underlying rhythmic pattern that an entire ghazal adheres to — a sequence of long and short syllables. This app teaches you to hear it, see it, and scan it for yourself.

How to read the marks

Every scan marks each syllable long (=, two letters) or short (–, one letter), and a flexible syllable (x) may go either way, as the meter needs. These are Pritchett’s terms (Handbook §1.5 ↗). Here is the key, and one line marked out:

flexible
A syllable in a word that can scan long or short, like ہے or میں. The meter of the line decides.
x
The same idea in a meter pattern: a slot in the bahr itself where either weight is allowed. A flexible syllable fills it.
extra
One short syllable the meter doesn’t count, allowed at a line’s end. It is left out of the pattern.

Words we use

miṣraʿ
A single line or hemistich of poetry.
sheʿr
A complete, self-contained two-line couplet.
baḥr
The meter or rhythmic pattern that a poem follows.
rukn
A metrical foot (e.g. mafāʿīlun, fāʿilātun).
flexible
A syllable that may be scanned long or short, marked x.
dum / da
Vocal mnemonics for long (=) and short (–) syllables.
Handbook ch. 5 – 6 ↗

Weight

How long each syllable is — the raw material of every meter.

What weight is

Every syllable is long (=) or short (–), and a meter is a pattern of them. To read a line, split each word into syllables and weigh each one.

The rules

Rule one: a syllable is two letters or one. Count letters, not sounds: every letter of the alphabet, the doubled letter a tashdīd stands for, the madd on Alif (Alif Madd, آ), and a hamza inside a word.

More: what meter ignores

Invisible to meter: the marks zer, zabar, pesh and jazm (script §5 ↗); the aspiration ھ (do-chashmī he, §10 ↗); the nasal ں (nūn-e ghunnah, §9 ↗); the dotless ی that carries a hamza. Older texts write plain gol he for aspiration; it is still invisible when it aspirates. A written jazm over a consonant says it has no vowel of its own, so it closes a syllable.

A nasalizing ن can also sit in the middle of a word. It usually comes after a long vowel; the exceptions are mostly Indic verbs with ن in the first syllable.

Handbook §1.2 ↗

The weight law. Two letters → long (=). One letter → short (–). A long is meant to last about double a short. A syllable that may go either way is called flexible.

Handbook §1.5 ↗

Rule two: begin with a consonant if you can. Every letter counts as a consonant except Alif (ا) and Alif Madd (آ), which are always vowels, and و, ی, ے when they are the second letter of a syllable. Syllables that begin with Alif (ا) or Alif Madd (آ) normally occur only at the start of a word. ع and a hamza inside a word act as consonants; a hamza is never the second letter of a syllable.

Handbook §1.3 ↗

Rule three: the split follows pronunciation. Use the ordinary spoken word, not the spelling alone; when unsure, ask a native speaker or check a dictionary that marks pronunciation.

Handbook §1.4 ↗

Word bank

Over 380 verified irregular words, alternative scansions, and spelling variants from Frances Pritchett's handbook.

Meter

Every bahr is a tune. Hear it, then learn to recognise it.

All the feet

★ sālim: an original foot ◇ muzāḥaf: a variant of one

The Handbook’s order lists feet that begin with long syllables first, then those that begin short. Handbook ch. 5 ↗

Pick a family to hear its tune sung as dum (long) and da (short), then sing along as the syllables light up.

ILM AL-ʿARŪḌ · METRICAL GEOMETRY

Khalil’s Circles & Meter Calculation

Khalil ibn Ahmad al-Farahidi (8th century CE) discovered that classical poetic meters are generated by five circular rhythmic loops. Rotating around the loop generates different base meters. Combining the rhythm with line length and ending modifications calculates the bahr’s full name and selects its classical verse.

THE FIVE METRICAL CIRCLES (الدَوَائِر العَرُوضِيَّة)

Starting Beat (Base Rhythm)

Line Length

Internal Foot Style (Body / Ḥashw)

Standard pristine feet or internal syllable softening (Khabn).

Final Foot Ending (Termination)

Sets how the final foot of the line concludes.

Why Poets Mix Sālim and Maḥẕūf in One Ghazal (The Scanner Sibling Rule)

Within a single ghazal, poets freely mix ziḥāf variations of the same base bahr. The first couplet might end intact (Sālim), while subsequent couplets trim the final foot (Maḥẕūf). Because both originate from the same circle rhythm, our scanner automatically recognizes and matches all permitted ziḥāf siblings of a bahr.

Classical meters

Filter through classical meters, rubāʿī forms, and Hindi meters.

37 meters

Scan a verse

Type or paste a verse in Urdu to see its bahr, syllable by syllable.

Language
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Tested on the handbook's 226 exercise lines: 225 fit. About the scanner ›
Ghazals

Ghazals

Ghazals grouped by bahr, each under a famous verse in it. Tap a group to open it; narrow by language or poet.